What Does He Have? | Microfiction

She’s just… exquisite.

The way her hair wafts in the breeze and shimmers under the sun. The way she smiles and licks her lips when she catches her breath. The way she takes in the world with big, hazel eyes, as though every day is the most beautiful she’s ever seen.

Every single move she makes is extraordinary. And her tail! Continue reading “What Does He Have? | Microfiction”

Undercover | Microfiction

Lily had never felt less notable in her life. But that’s exactly what she was going for.

Her usual attire of black skinny jeans, metal band tee, leather jacket, and shiny, silver Chelsea boots was gone in exchange for tracksuit bottoms, an oversized hoodie, and plain, white trainers. Even her purple hair had been pulled back into a bun and hidden beneath a black beany hat. Continue reading “Undercover | Microfiction”

The Voice

Bruno froze at the click of the bathroom door. He heard the floorboards creak, a splosh, then the squeak of skin on the bottom of the tub. He waited for the sound of moving water to subside, and then he let the silence hang for a couple of minutes.

Satisfied that his roommate was fully ensconced in her bubblebath, Bruno launched himself at the sofa, then clambered up onto the back of it. From there, he manoeuvred himself to perch on the windowsill. Continue reading “The Voice”

My Writing Playlist

Do you like to listen to music while you write? I know some find it simply too distracting, while others need some background noise in order to focus. I’ve even come across folk who like to write in loud, busy environments like coffee shops or trains or planes, but I can’t imagine trying to concentrate with other people’s conversations going on around me. Personally, I do like a touch of music when I’m writing, but not while I’m editing. When editing, I need to completely focus on the words, and I find music, particularly music with lyrics, stops me from taking in every sentence and analysing it to the nth degree to check that it reads right. Continue reading “My Writing Playlist”

The Last Goodbye

Empty promises were sealed with a gentle kiss on the lips and followed by a final embrace. The hug was long and heartfelt, and when the women pulled away, they squeezed at each other’s hands and gave sad smiles. Continue reading “The Last Goodbye”

Like a Bad Smell

Jeanny lit her third cigarette, much to Cathy’s revulsion. She wrinkled her nose and wafted the smoke away from her face, which triggered a sigh from Jeanny.

“Don’t sigh, you know I hate you smoking around me.” Continue reading “Like a Bad Smell”

Tame Impala: Let It Happen Single Review

When I first heard Tame Impala’s latest single I was a little underwhelmed. Compared to some of their previous addictive tracks such as ‘Elephant’ and ‘Half Full Glass of Wine’ it seemed to lack energy and individuality. It was too toned down, too plain and simple for a band known for its fuzzy guitar riffs, trippy synth and psychedelic melodies. Yet after listen number two, things started to fall into place. Continue reading “Tame Impala: Let It Happen Single Review”

Queens of The Stone Age: Get Drunk, Get Laid & F**king Do Cool Sh*t

Everyone at some point wants to be in a band; it may be when they’re 15 and playing air guitar in front of the mirror whilst discovering Hendrix, or when they’re 30 and they’ve realised their youth has passed them by, or 50 and still believing they have must have some kind of deeper purpose in life and that purpose may well be music. I don’t believe there is anybody, no matter of their age, gender, job or class, who hasn’t wanted to be pop star, rock star or badass band member. If there is somebody, I wouldn’t want to know them. Continue reading “Queens of The Stone Age: Get Drunk, Get Laid & F**king Do Cool Sh*t”

Jack White: 21st Century Bluesman

Jack White’s music has varied between rock, folk, experimental and alternative, but the roots of it lie in blues. He has admitted that in 1999, after The White Stripes’ first album release, he made it his mission to modernise the blues and continue the blues legacy into a new century. Perhaps it is down to the way in which White incorporates several different genres of music into his sound that makes his version of the blues popular, or perhaps it is simply because he himself – exotic yet homely, gothic yet traditional – is strange and interesting enough to make people want to listen. Either way, he’s worth $30million; we must assume that he has sold plenty of records and that people across the world are enjoying his modern take on the blues. Continue reading “Jack White: 21st Century Bluesman”