Why I Write

One of the first assignments I was faced with at university was to write an essay titled “Why I Write.” I did terribly. The essay was returned to me covered in the red ink scrawlings of a creative writing tutor who probably wondered why on Earth I had chosen to do a creative writing degree. In fact, at that moment, even I wondered why I’d chosen to do a creative writing degree. Continue reading “Why I Write”

Tame Impala: Let It Happen Single Review

When I first heard Tame Impala’s latest single I was a little underwhelmed. Compared to some of their previous addictive tracks such as ‘Elephant’ and ‘Half Full Glass of Wine’ it seemed to lack energy and individuality. It was too toned down, too plain and simple for a band known for its fuzzy guitar riffs, trippy synth and psychedelic melodies. Yet after listen number two, things started to fall into place. Continue reading “Tame Impala: Let It Happen Single Review”

Queens of The Stone Age: Get Drunk, Get Laid & F**king Do Cool Sh*t

Everyone at some point wants to be in a band; it may be when they’re 15 and playing air guitar in front of the mirror whilst discovering Hendrix, or when they’re 30 and they’ve realised their youth has passed them by, or 50 and still believing they have must have some kind of deeper purpose in life and that purpose may well be music. I don’t believe there is anybody, no matter of their age, gender, job or class, who hasn’t wanted to be pop star, rock star or badass band member. If there is somebody, I wouldn’t want to know them. Continue reading “Queens of The Stone Age: Get Drunk, Get Laid & F**king Do Cool Sh*t”

Jack White: 21st Century Bluesman

Jack White’s music has varied between rock, folk, experimental and alternative, but the roots of it lie in blues. He has admitted that in 1999, after The White Stripes’ first album release, he made it his mission to modernise the blues and continue the blues legacy into a new century. Perhaps it is down to the way in which White incorporates several different genres of music into his sound that makes his version of the blues popular, or perhaps it is simply because he himself – exotic yet homely, gothic yet traditional – is strange and interesting enough to make people want to listen. Either way, he’s worth $30million; we must assume that he has sold plenty of records and that people across the world are enjoying his modern take on the blues. Continue reading “Jack White: 21st Century Bluesman”